The deletion of the word “love”
from the body of poetics
precedes its own construction
as if animators drawing flesh on a skeleton
had misjudged the proper width
of a torso, heart to breast, abdomen
to waist – the proper length of a leg
encased in its own delusion of scale.
So, forced to erase what anomaly was
misrepresented there, they sketch new
boundaries hoping mistakes are masked
as mere shadows, where the aorta once was
some invisible gradient unspoken of,
taut with history. The capturing instead,
of the inept incalculability of college
ruled notebook paper predefining the chaos
being held in its space. The ordered flatness
of having nothing to say – a frightened or
contented face driven through and drawn past
incoherent strangleholds of silence -
a thought deterred from existence
not through its lack of clarity,
but interrupted by a kiss, misunderstood
by a touch, by a look, by a word
interjected for effect.